Tag Archives: Rebecca

Earthrise

A text version of my sermon from Shabbat (12/22/18):

     Some of you will remember that it was fifty years ago this weekend when the Apollo 8 space mission was making its way towards the moon.  The flight launched on December 21st 1968 – fifty years ago yesterday – and lasted for 6 days.  It was manned by three astronauts – Jim Lovell, Bill Anders, and Frank Borman – and was the second manned Apollo flight and the first to actually reach the moon’s orbit.  After circling the moon 10 times on December 24th and 25th, the astronauts set a course for Earth, and returned home on December 27, splashing down in the northern Pacific Ocean.

     The spirit of the mission, what it meant to Americans, and to people everywhere, was captured in a spectacular photograph taken by Bill Anders that would come to be known as Earthrise.  The photo shows a fragile and delicate – and also indescribably beautiful – blue and white sphere, half shrouded in darkness, and set in the deep blackness of infinite space, hovering in the distance over the stark white surface of the moon.  No one knew it at the time, but that photograph would become one of the most iconic images in the history of human kind.  

     The great irony in that moment is that in one of the greatest accomplishments of human history, manned space flight, with all of its technology, human ingenuity, its illustration of our ability to master the world around us – in the midst of all of that human greatness and achievement, we rediscovered our sense of how ultimately small we really are.  To see the Earth from that distance and perspective is to immediately understand that we live on just one tiny planet orbiting an ordinary star in a medium sized galaxy in an incredibly vast universe.  

     Fifty years ago that Earthrise photograph created what I call a ‘Grand Canyon’ moment for millions and millions of people.  That is the moment when you stand at the edge of the Grand Canyon, looking out over its vastness, and you suddenly realize – or maybe it is better to say you feel – that you are an infinitesimal part of a world, and a universe, that is vast beyond imagining.  It is what people feel when they enter some of the great European medieval churches, with their towering ceilings, or walk through a redwood forest, the enormous and ancient trees rising and rising into the distance of the sky.  This is the feeling captured by the Psalmist in Psalm 8:  “When I see your Heavens, the work of Your fingers, the moon and the stars that You set in place, what am I that You, God, are mindful of me; a mere human being, yet you take note of my life.” (my own translation with a bit of paraphrasing)  It is precisely the greatness and beauty of God’s world and the infinite vastness of God’s universe that reminds us of our mortality and our limits and also, I would argue, of our humanity.

     The Book of Genesis that we finished reading this morning, for the most part, does not work on that grand scale that the Psalmist was writing about.  Instead, Genesis tells stories of intimacy and immediacy, of husbands and wives and parents and children, often during critical moments of their lives.  It describes Abraham and Sarah in the bedroom, talking about the fate of Hagar.  Or the private conversation between Jacob and his mother Rebecca about how to deceive Isaac.  We read in Genesis about Abraham and Isaac, alone, just father and son, walking to the top of Mount Moriah, and the few words that they share in that journey.  This morning’s portion, the last in Genesis, is also filled with intimate moments.  Jacob in his old age blesses his grandsons Efraim and Menasheh, drawing them close, kissing them, hugging them, placing his hands on their heads and tousling their hair, whispering over them a blessing.  And later in the portion we are flies on the wall of the bedroom where Jacob is dying, surrounded by his sons, as he gives each of them a last message that he hopes they will carry with them after he is gone.  

     These are human moments that we all can recognize from our own lives, moments of touching and talking, of whispered hopes and private expressions of fear and doubt.  Next week when we begin reading the Book of Exodus the Torah will leave those intimate moments behind, but in Genesis they are the primary focus as we learn about the lives of the patriarchs and matriarchs.  

     There is of course one glaring exception to that sense of intimacy that Genesis focuses on, and that is?  The creation story, told in the first two chapters.  There God works on a cosmic scale, bringing the universe into being out of chaos, dividing up the waters and the lands, establishing the Heavens, putting into the sky the sun, the moon, and the stars.  I’ve always believed that the Torah begins that way because it wants us to understand that the God we are in relationship with, the God Who called to Abraham and Sarah, the God we prayed to this morning, the God we thanked for two long and loving marriages, the God we asked to heal our loved ones – that God is the Creator of all things.  And one of the great mysteries that Judaism explores is the idea that that cosmic, universal Creator can somehow be in relationship with us as small as we are, and can take note of and care about our lives.

      Fifty years ago on that Apollo 8 mission NASA arranged for the three astronauts to make a live broadcast to earth on that December 24th evening, a night observed in the Christian community as Christmas Eve.  When the crew asked what they should do for that broadcast they were told ‘just anything you feel is appropriate.’  One of the Astronauts brought a Bible, and in the course of the broadcast, as they crew circled the moon, with that spectacular view of earth captured in the photograph that would be called ‘Earthrise’, the crew took turns reading the first 10 verses of the Book of Genesis. 

     The last verse they read – they 10th – is as follows:  ויקרא אלוקים ליבשה ארץ ולמקוה המים קרא ימים וירא אלוקים כי טוב – And God called the dry land – Earth – and the gathering of waters, God called seas.  And God saw that this was good.

So it was.  So it is.  So may it always be.earthrise

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You Can Run…

You know the second half of the phrase.  You truly can’t hide, especially from yourself.  Here is the unedited version of the Torah portion column that was published in today’s Baltimore Jewish Times.  Their editors decided to cut out the section about Dave Mason and Traffic. The song ‘Feelin’ Alright’ appeared on Traffic’s eponymously titled 1968 album.  Joe Cocker made the song famous with his hard driving version, recorded for his 1969 record ‘With a Little Help From My Friends.’  The original version by Traffic is more laid back, but it still has that distinctive shuffle.  Give it a listen at this link:  Traffic/Feelin Alright.

Deception is everywhere surrounding Jacob, a virtual dance of deception from which he cannot escape.  He has been raised in a dysfunctional family, where his parents Isaac and Rebecca favor different children.  He cannot trust his brother Esau, who is his rival for affection, power, and the ever illusive birthright and blessing.  In the end, Jacob is trapped by the deception that surrounds him.  Not in the sense that he is fooled.  He is not, and in fact understands exactly what is going on around him.  But rather in the sense the he begins to engage in it, and in the process he learns something about himself:  he, too, is a master at deception.

Perhaps that is why Jacob flees from his parents’ home.  It is true – Esau is angry with him, and he has lied to his father.  But he could have worked through it with Rebecca’s help and his own cunning mind.  There is, however, one thing Jacob cannot escape in the home of his birth – himself.  He has taken a long, hard look in the mirror, and he does not like what he sees.  There is an ugliness in his soul, a growing ease with the telling of lies and a growing power to manipulate others.  He has been trapped by the continual deception of Isaac and Rebecca’s home because it has become his way of life, his method of interacting with the world.

So Jacob runs, hoping to escape the ugliness he sees in himself, wondering if he can recreate himself in a new place.  Perhaps with a new start he can become a new person, more honest, truer to himself and to God.  Some of you may remember the lyrics to the great Dave Mason song “Feelin’ Alright”: “Seems I got to have a change of scene; ‘Cause every night I have the strangest dreams; Imprisoned by the way it could have been; Left here on my own or so it seems;  I got to leave before I start to scream…”

That is Jacob at the beginning of Parshat Ya’yeitzei.  Alone, wrestling with his conscious, fleeing from what he experienced as the prison of Isaac and Rebecca’s home, dreaming of things untold, looking for a better place, and a better self.  What he will learn in the course of his journey is that deception is everywhere.  Laban’s home, where he will live for the next two decades, is also a place of deceit and cunning and lies.  To survive there Jacob once again becomes the master deceiver.

So it always is.  You cannot escape from yourself.  A change of scene does not produce a change in values, personality, morals, or ethics.  That only happens with serious self-reflection, with deep and committed work of the mind and soul, with an internal battle to conquer your worst predilections.  So Jacob will ultimately wrestle the mysterious angel, at that moment finally coming to terms with who he is and who he wants to be.  Only then can he return home a new man, leaving deception behind,  finally prepared for an honest confrontation with the legacy he left behind.

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